Naslov (eng)

Beginnings of conceptual art scene in Serbia

Naslov (srp)

Počeci konceptualne umetničke scene u Srbiji

Autor

Radulović, Ksenija

Opis (eng)

Abstract This essay concerns the emergence and early stages of conceptual art scene in Serbia during the 1970s. In this text, the notion of conceptual art is understood in its broadest meaning, as a radical break with traditional art forms, and based on the idea of dematerialization of art. Apart from covering well known centres such as Novi Sad (Tribina Mladih) and Belgrade (Studentski Kulturni Centar), the text also considers Subotica where an art group Bosch+Bosch was founded in 1969. The early stages of this scene are inseparable from both Yugoslav and international frameworks of the 1960s and 1970s. The topic is considered with respect to the wider social and political context of Yugoslav socialism. The essay points out certain differences between the scenes in Belgrade and Novi Sad.

Opis (srp)

Apstrakt Tekst se bavi pojavom i ranom fazom konceptualne umetničke scene u Srbiji početkom 70-ih godina prošlog veka. Pojam konceptualne umetnosti u radu koristi se u najširem smislu, kao radikalni raskid s tradicionalnim umetničkim formama, zasnovan na ideji dematerijalizacije umetnosti. Pored poznatih centara Novog Sada (Tribina mladih) i Beograda (Studentski kulturni centar), tekst mapira i Suboticu u kojoj je 1969. osnovana umetnička grupa Bosch+Bosch. Počeci ove scene u Srbiji neodvojivi su od jugoslovenskog, ali i internacionalnog okvira 60-ih i 70-ih. Tema se sagledava u širem društvenom i političkom kontekstu jugoslovenskog socijalizma, a rad ukazuje i na izvesne razlike između beogradske i novosadske scene.

Jezik

srpski

Datum

2022

Licenca

© All rights reserved

Predmet

Key words Conceptual art, Bosch+Bosch, Youth Tribune, Student Cultural Centre, Serbia

Ključne reči konceptualna umetnost, Bosch+Bosch, Tribina mladih, Studentski kulturni centar, Srbija

Deo kolekcije (1)

o:29092

Radovi nastavnika i saradnika FDU